Continuum-a continuous extent, series, or whole.
Continuous-being in immediate connection or spatial relationship
This may be the best first page of a new sketch book I've ever drawn on the fly.
Spontaneous and Free.
I call it, "Continuum" because I found a way to make every line that I made work together for the good of the whole. Sketched in ink so as to promote confident lines, I just went for it. The grey paper with the brown ink is making my heart quiver with glee, it's so delicious! I like it a lot! Yummy! I have a confession to make. I am a sketchbook addict. I saw the paper and had to have it. I rarely fill up a sketch book. I may have two completely full sketchbooks (and one is a thumbnail sketchbook so that doesn't count), but I have a lot of incomplete sketchbooks. I know it's a problem, I'm working on it. I don't know what it is but there's just something about a fresh blank book! I collect them. I labor for days on what to put on the first page, it's so ridiculous. It's always that starting point that gets me. The fear of messing up. The pursuit of perfection produces a deadly combination when art and fear merge. How could I ever expect a sketchbook to be perfect? It's a freaking sketchbook!
I have to talk myself through my misgivings. A sketchbook's imperfections are what makes it perfect. It's the space for experimenting without restrictions and preconceptions. It is inception.
Inception-beginning; start; commencement
Duuuuhhhhhhh....
Well, cheers to spontaneity, and doing what comes natural, and what makes you feel good!
I think I'm going to have to digitally paint this one because there is no way I can reproduce this drawing as a painting otherwise. Ain't no way lightning is gonna strike twice in the same spot. I like my first try! Who am I fooling, I always like my first sketch best. Don't we all? It's always more loose and free and full of promise and potential. No pressure....until the second draft which will not include the Edward scissor hand....I loath drawing hands. I wish I could wave a magic wand to make them appear effortlessly. But noooooo, hands have to be all confrontational and difficult, ol' suckas.
The figure was initially intended to be laying on the drawing, melting into it. Somehow, she ended up standing holding a tree up. Then she somehow became the tree. Sound familiar? I always start off in prostrate, then somehow end up standing, carrying the load until it becomes second nature and an extension of myself. We all have the tendency to do that without even thinking about it, some of us need more practice. I might start off on my face but I find a way to make it to my knees and after that God lifts me to my feet then fills me with His grace. And if you know me, you know....there are going to be some trees thrown in the mix!
I just can't help myself. I don't see dead people. I see tree people. LOL!
So this one has mad layers too, which seems to be a reoccuring theme. She's lays in prostrate and stands in strength, all at the same time. It's duality, and I like it like that! That's what laying in prostrate can do for you! It can give you the strength you need to stand! So go throw yourself down on your face and pray for the strength you need to get back up! Do not delay! Do it now!
This is about as abstract as I get, but I do love when recognizable images emerge from lines and shapes...now that's gangsta!
Emergence=Evolution
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